It gives you instant access to an inspiring library with production-ready sounds. Nemesis comes with an astounding collection of 1065(!) hand-picked patches. Each sound has been carefully built by a professional sound-designer and has been crafted with a lot of love and great attention to detail. The patches are very easy-to-mix, because they've been carefully EQed, pre-mastered and are in perfect sync to your track tempo. All patches have been sorted into categories and you can find quickly what you need. You can tag your favorites with a ranking-system.

The included arpeggiator instantly creates inspiring and wonderful melodies. Working with the powerful arpeggiator is very simple: Just input your notes into the note-sequencer.
The arpeggiator supports advanced features such as glides, swing & shuffle, split, smart note-sorting, matrix-integration and gives you precise control over play-direction and velocity.
Comfortable playing aids like auto-chord speed up the production process and assist you whenever you need it.
Don’t feel like programming your own patterns? Just load one of the many pattern-templates.
Arpeggiator, gate and modulation run in perfect sync with each other. This allows you to use the three together in all kinds of creative ways and it makes them easy to use and fun to play with.

Nemesis also offers a dedicated Gate section. We aimed to make this as intuitive and flexible as possible.
The Gate section provides advanced features like Contour, Fading, Swing and Shuffle to fine-tune your gate to perfection.
Arpeggiator, gate and modulation run in perfect sync with each other. This allows you to use the three together in all kinds of creative ways and it makes them easy to use and fun to play with.

There are 48 high quality effects available that can be combined with each other. Flexible routing options complete the extensive effects section. The innovative ducking-module makes your mix more transparent and rich by dynamically fading out reverb-tails. Nemesis offers smart-micro-tuning, which automatically analyzes the notes played to improve the sound of chords. An optional psychoacoustic module gives your tracks more kick and volume. Nemesis has a gate section for creating rhythmic patterns. Extended functions such as contour, fading, swing and shuffle allow you to fine-tune the sounds perfectly.

The GUI can be displayed with two different scales: Small and big. It is also possible to hide parts of the interface, like the keyboard, when you don't need it.
Nemesis offers many different play-modes like Polyphonic, Monophonic, Legato New, Legato Classic and Multi Mono.
The synthesizer offers several innovative micro-tuning modes, which make chords sound more harmonic, fat and transparent.
An optional psychoacoustic module gives your tracks more kick and volume.

By using drag & drop or the matrix, Nemesis allows you to connect dozens of modulation sources to sound parameters. Modulate almost any parameter up into the audio-rate speed, from internal modulation sources like the LFOs, to a wide variety of MIDI messages. We've also included midi-learn, so assigning CC's is as simple as a right-click.

Nemesis takes FM synthesis onto its next evolutionary step: NeoFM synthesis.
Traditional "FM synths" like the DX7 have a limited sonic range. They can only produce good results with sine-waves or very dull waveforms that don't contain high frequencies. The damped waveforms help to camouflage the aliasing when a higher amount of FM modulation is used.
Nemesis does not have this limitation and is able to handle all waveforms properly. Finally, you can use any waveform as a source or destination for FM or PM modulation without a headache! It even works with short samples or extremely long and complex waveforms. It is also possible to import your own waveforms in .wav format. You can use the additive spectrum editor to create new waveforms or modify existing ones.
Nemesis can handle a greater FM-modulation-depth and wider frequency-range than competing synthesizers, as it never sounds awkward due to aliasing. The sum of all this dramatically expands the sonic range.

You can use the additive-spectrum-editor to create new waveforms or to alter existing ones.

Nemesis ships with hundreds of waveforms created by professionals and optimized for it's synthesis capabilities. Nemesis can also import and export and your own wave (.WAV) files as a waveform.

Nemesis has a huge sonic range, since it is capable to do a massive number of digital synthesis-methods:
- Classic FM/Phase-Modulation (known from the Yamaha DX11)
- Waveshaping (known from the Korg 01/W)
- Additive synthesis (known from the Kawai K1)
- Phase-Distortion (known from the Casio CZ)
- Formant-Synthesis (known from the Yamaha FS1R)
- Crossblending Waveforms (known from the Waldorf Microwave)
- PWM (unlike conventional synths Nemesis can do PWM with any Waveform, not just Squarewaves)
- Ring-Modulation
- Resynthesis of Waveforms
- Resonance (exclusive to Nemesis)
- Neo-FM (exclusive to Nemesis)

Controls the tuning of the Carrier Oscillator.

Turning this control clockwise will detune the oscillator.
Turning this control counter-clockwise will apply oscillator drift to the oscillator.

Introduces a dirty feedback signal into the oscillator. It can also be used the shape waveforms.

Controls how much of Envelope2's modulation is applied to Damp-Filter.

The filters in Nemesis do not work like classic VA / Subtractive filters. They are innovative 0phase-filters which operate directly on the waveform and are specifically optimized to be used with neoFM synthesis.
There are several advantages to this: They provide two additional real-time controls for shaping your FM sound, offer a more precise sound, do not suffer from phase shift, and filter with a 90dB slope per octave. This extreme slope is useful for the FM and punchy sounds, due to the filter cutoff being lowered very quickly. At times this can sound too warm or dark for certain sounds.

Controls how much of the carrier oscillator's signal is mixed in.

Controls the tuning of the Modulator Oscillator.

Adjusts the oscillator's starting phase. When set to a value of zero the oscillator's start phase will be Free running & Global.
Changing the Oscillator phase can be used to clean up your sound.

When this is set to a higher positive value and a higher key is played it will result in more frequency modulation (FM) being applied to the sound.
If you play a low key the sound will have less frequency modulating being applied.

Controls how much of Envelope1's modulation is applied to the Neo FM control.

The filters in Nemesis do not work like classic VA / Subtractive filters. They are innovative 0phase filters which operate directly on the waveform and are specifically optimized to be used with neoFM synthesis.
There are several advantages to this: They provide two additional real-time controls for shaping your FM sound, offer a more precise sound, do not suffer from phase shift, and filter with a 90dB slope per octave. This extreme slope is useful for the FM and punchy sounds, due to the filter cutoff being lowered very quickly. At times this can sound too warm or dark for certain sounds.

Controls how much of the modulator oscillator's signal is mixed in.

This knob adjusts how quickly the current note's pitch glides to the next note's pitch.
You can use it in combination with various playmodes like Legato, Monophonic and Polyphonic.

The Unison section offers both a 2x and 4x Unison mode which layers multiple copies of the voices.
The Spread knob works in combination with the two Unison modes and allows you to select the amount of detuning and spread that is applied to the different copies of the sound.
The Stereo knob is controlling the amount of stereo separation between the voices.

Nemesis has 2 LFOs with 6 different waveforms and BPM-sync, a Step Sequencer and 16 additional LFOs with sine waveform.
Do you want to use the LFO to wobble your sound? Simply drag&drop it onto a knob and you've got it. Modulation can be as simple or complex as you want. Use drag&drop or the modulation-matrix to connect dozens of sources to all important sound parameters.
You can modulate almost any parameter with audio-rate speed.

The Amp-Envelope in the global section is used to control Volume characteristics like volume Attack, Decay, Sustain and Release.
Nemesis also offers two auxilary envelopes called ENV1 & ENV2. They can be used to control various parameters by assigning them through the modulation matrix.
Do you want to use the Envelope to morph your sound? Simply drag&drop it onto a knob and you've got it. Modulation can be as simple or complex as you want. Use drag&drop or the modulation-matrix to connect dozens of sources to all important sound parameters. You can modulate almost any parameter with audio-rate speed.