Nemesis VST AU plugin - Digital synthesizer

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Tone2 Nemesis VST AudioUnit synthesizer Tone2 Nemesis VST AudioUnit synthesizer
New! Nemesis 3$199 €99 $99

Nemesis can do classic digital synthesis methods as well as a new approach called 'NeoFM'. NeoFM is more powerful and easier to program than traditional FM. It offers superior sound quality. A warm and creamy signature-sound is generated by its engine. Nemesis beherrscht nicht nur klassische, digitalen Synthesemethoden sondern auch eine neue Technologie, die 'NeoFM' genannt wird. Sie ist intuitiver und klingt besser als klassisches FM.


Click here and receive your synthesizer instantly!Klicken Sie hier und erhalten Sie Ihren Synthesizer sofort! Click here to buy it now! You will receive your download instanty.

Overview


  • Can do all important digital synthesis methods + NeoFM
  • Huge sonic range: Warm, cold, metallic, silky or creamy
  • Can create unique sounds that are not possible with other synths
  • NeoFM is an exclusive and improved approach to FM synthesis
  • Unique signature-sound
  • Contains 1165 inspiring patches from professional designers
  • High-end sound quality with low demands on your CPU
  • User-friendly interface with 22 different sizes (with and without keys)
  • Extremely versatile
  • Many high-end quality effects
  • Wave import and re-synthesis for unlimited sonic possibilities
  • Additive spectrum editor
  • True 4x stereo unison
  • Expandability
  • Trancegate
  • Powerful, easy-to-use arpeggiator
  • Native support for WQHD, 4K, 5K and 8K UHD displays
  • What's new in Nemesis 3.0?

Upgrade with discount: Nemesis 1 and 2 owners are able to upgrade to v3.x with a big discount (€39 or $39). Click here to upgrade now!
"Nemesis plays in the highest league. The versatile synthesis engine can replace a studio filled with hardware. All that with expensive, first-class sound quality. NeoFM sounds more balanced compared to classic FM."

"This synth is a league of its own. The sound-design is truly excellent. It's definitely not designed just to be an 80s retro instrument. It's an absolutely perfect addition to your synth arsenal, no matter what style of music you do. This one is a no-brainer. Nemesis may soon be your new favourite synth."

"NeoFM provides a much larger sonic range than classic FM. It produces harmonic sounds where conventional synths provide only garbage. Tone2 succeeds in reinventing the FM synthesis. The sound cuts through the mix. It's very flexible, has a huge sonic range and a lot of dynamic expression."

"Unique, fresh sound, flexible architecture, inspiring arpeggiator, intuitive interface,  giant patch library. There are many reasons to love Nemesis. A mighty synth with enormous creative power."

Überblick


  • Beherrschat alle wichtigen digitalen Synthesemethoden + NeoFM
  • Riesige Klangvielfalt: Warm, kalt, metallisch, seidig oder cremig
  • Kann einzigartige Sounds erzeugen, die nicht mit anderen Synthesizern möglich sind
  • NeoFM ist ein exklusiver und verbesserter Ansatz der FM Synthese
  • Einzigartiger Signatursound
  • Enthält 1165 inspirierende Patches von Profis
  • High-End Sound-Qualität mit niedrigen Anforderungen an Ihre CPU
  • Benutzerfreundliches Interface mit 22 verschiedenen Größen
  • Extrem vielseitig
  • Eine umfangreiche Auswahl an qualitativ hochwertigen Effekten
  • Wave Import und Resynthese bieten Ihnen unbegrenzte klangliche Möglichkeiten
  • Additiver Spektraleditor
  • Echtes 4x Stereo Unison
  • Erweiterbarkeit
  • Trancegate
  • Mächtiger Arpeggiator
  • Native Unterstützung für WQHD, 4K, 5K und 8K UHD Displays
  • Handbuch in Deutsch, Made in Germany
  • Was ist neu in Nemesis 3.0?

Upgrade mit Rabatt: Besitzer von Nemesis 1 und 2 können mit einem großen Rabatt (39 €) auf v3.x upgraden. Klicken Sie hier, um jetzt ein Upgrade durchzuführen!
"Nemesis liefert mühelos einen Großteil der Digitalsounds quer durch die Synthesizergeschichte. Die sehr vielseitige Syntheseengine kann es mit einem mittleren Gerätepark an digitalen Synths aufnehmen, all das bei erstklassig-edlem Grundklang. Nemesis ist vielseitig, effektiv und einfach zu bedienen."

"Hier kann man mit wenigen Handgriffen Klänge effektiv gestalten. Die NeoFM Synthesse geht klanglich deutlich weiter als der DX7, was sich in zahlreichen interessanten Klängen äußert. Bei herkömmlichen Synths entsteht oft nur atonaler Krach. Nemesis hingegen kann stets harmonische Klänge hervorzaubern. Nemesis liefert dynamische Klänge von großer Bandbreite und kann sehr flexibel eingesetzt werden."

"Ein eingenständiger, frischer Klang, eine flexible Architektur mit inpirierendem Arp und tollen Effekten, eine riesige Preset-Bibliothek und eine intuitive Bedienoberfläche: Es gibt viele Gründe Nemesis zu lieben. Ein mächtiger Synthesizer mit enormen Kreativpotential."

Patch Browser

It gives you instant access to an inspiring library with production-ready sounds. Nemesis comes with an astounding collection of 1065(!) hand-picked patches. Each sound has been carefully built by a professional sound-designer and has been crafted with a lot of love and great attention to detail. The patches are very easy-to-mix, because they've been carefully EQed, pre-mastered and are in perfect sync to your track tempo. All patches have been sorted into categories and you can find quickly what you need. You can tag your favorites with a ranking-system.


Arpeggiator

The included arpeggiator instantly creates inspiring and wonderful melodies. Working with the powerful arpeggiator is very simple: Just input your notes into the note-sequencer.
The arpeggiator supports advanced features such as glides, swing & shuffle, split, smart note-sorting, matrix-integration and gives you precise control over play-direction and velocity.
Comfortable playing aids like auto-chord speed up the production process and assist you whenever you need it.
Don’t feel like programming your own patterns? Just load one of the many pattern-templates.
Arpeggiator, gate and modulation run in perfect sync with each other. This allows you to use the three together in all kinds of creative ways and it makes them easy to use and fun to play with.

Trancegate

Nemesis also offers a dedicated Gate section. We aimed to make this as intuitive and flexible as possible.
The Gate section provides advanced features like Contour, Fading, Swing and Shuffle to fine-tune your gate to perfection.
Arpeggiator, gate and modulation run in perfect sync with each other. This allows you to use the three together in all kinds of creative ways and it makes them easy to use and fun to play with.



Effects

There are 48 high quality effects available that can be combined with each other. Flexible routing options complete the extensive effects section. The innovative ducking-module makes your mix more transparent and rich by dynamically fading out reverb-tails. Nemesis offers smart-micro-tuning, which automatically analyzes the notes played to improve the sound of chords. An optional psychoacoustic module gives your tracks more kick and volume. Nemesis has a gate section for creating rhythmic patterns. Extended functions such as contour, fading, swing and shuffle allow you to fine-tune the sounds perfectly.

Setup & Pychoacoustics

The GUI can be displayed with two different scales: Small and big. It is also possible to hide parts of the interface, like the keyboard, when you don't need it.
Nemesis offers many different play-modes like Polyphonic, Monophonic, Legato New, Legato Classic and Multi Mono.
The synthesizer offers several innovative micro-tuning modes, which make chords sound more harmonic, fat and transparent.
An optional psychoacoustic module gives your tracks more kick and volume.



Matrix

By using drag & drop or the matrix, Nemesis allows you to connect dozens of modulation sources to sound parameters. Modulate almost any parameter up into the audio-rate speed, from internal modulation sources like the LFOs, to a wide variety of MIDI messages. We've also included midi-learn, so assigning CC's is as simple as a right-click.



NeoFM

Nemesis takes FM synthesis onto its next evolutionary step: NeoFM synthesis.
Traditional "FM synths" like the DX7 have a limited sonic range. They can only produce good results with sine-waves or very dull waveforms that don't contain high frequencies. The damped waveforms help to camouflage the aliasing when a higher amount of FM modulation is used.
Nemesis does not have this limitation and is able to handle all waveforms properly. Finally, you can use any waveform as a source or destination for FM or PM modulation without a headache! It even works with short samples or extremely long and complex waveforms. It is also possible to import your own waveforms in .wav format. You can use the additive spectrum editor to create new waveforms or modify existing ones.
Nemesis can handle a greater FM-modulation-depth and wider frequency-range than competing synthesizers, as it never sounds awkward due to aliasing. The sum of all this dramatically expands the sonic range.

Spectrum Editor

You can use the additive-spectrum-editor to create new waveforms or to alter existing ones.

Waveform Selector

Nemesis ships with hundreds of waveforms created by professionals and optimized for it's synthesis capabilities. Nemesis can also import and export and your own wave (.WAV) files as a waveform.

Synthesis Mode Selector

Nemesis has a huge sonic range, since it is capable to do a massive number of digital synthesis-methods:
- Classic FM/Phase-Modulation (known from the Yamaha DX11)
- Waveshaping (known from the Korg 01/W)
- Additive synthesis (known from the Kawai K1)
- Phase-Distortion (known from the Casio CZ)
- Formant-Synthesis (known from the Yamaha FS1R)
- Crossblending Waveforms (known from the Waldorf Microwave)
- PWM (unlike conventional synths Nemesis can do PWM with any Waveform, not just Squarewaves)
- Ring-Modulation
- Resynthesis of Waveforms
- Resonance (exclusive to Nemesis)
- Neo-FM (exclusive to Nemesis)

Tuning

Controls the tuning of the Carrier Oscillator.

Drift & Detuning

Turning this control clockwise will detune the oscillator.
Turning this control counter-clockwise will apply oscillator drift to the oscillator.

Feedback

Introduces a dirty feedback signal into the oscillator. It can also be used the shape waveforms.

Envelope 2 send level

Controls how much of Envelope2's modulation is applied to Damp-Filter.

Carrier Oscillator Filter

The filters in Nemesis do not work like classic VA / Subtractive filters. They are innovative 0phase-filters which operate directly on the waveform and are specifically optimized to be used with neoFM synthesis.
There are several advantages to this: They provide two additional real-time controls for shaping your FM sound, offer a more precise sound, do not suffer from phase shift, and filter with a 90dB slope per octave. This extreme slope is useful for the FM and punchy sounds, due to the filter cutoff being lowered very quickly. At times this can sound too warm or dark for certain sounds.

Carrier Oscillator Mix

Controls how much of the carrier oscillator's signal is mixed in.

Tuning

Controls the tuning of the Modulator Oscillator.

Oscillator Phase

Adjusts the oscillator's starting phase. When set to a value of zero the oscillator's start phase will be Free running & Global.
Changing the Oscillator phase can be used to clean up your sound.

FM key follow

When this is set to a higher positive value and a higher key is played it will result in more frequency modulation (FM) being applied to the sound.
If you play a low key the sound will have less frequency modulating being applied.

Envelope1 send level

Controls how much of Envelope1's modulation is applied to the Neo FM control.

Modulator Oscillator Filter

The filters in Nemesis do not work like classic VA / Subtractive filters. They are innovative 0phase filters which operate directly on the waveform and are specifically optimized to be used with neoFM synthesis.
There are several advantages to this: They provide two additional real-time controls for shaping your FM sound, offer a more precise sound, do not suffer from phase shift, and filter with a 90dB slope per octave. This extreme slope is useful for the FM and punchy sounds, due to the filter cutoff being lowered very quickly. At times this can sound too warm or dark for certain sounds.

Modulator Oscillator Mix

Controls how much of the modulator oscillator's signal is mixed in.

Glide

This knob adjusts how quickly the current note's pitch glides to the next note's pitch.
You can use it in combination with various playmodes like Legato, Monophonic and Polyphonic.

Unison

The Unison section offers both a 2x and 4x Unison mode which layers multiple copies of the voices.
The Spread knob works in combination with the two Unison modes and allows you to select the amount of detuning and spread that is applied to the different copies of the sound.
The Stereo knob is controlling the amount of stereo separation between the voices.

LFOs

Nemesis has 2 LFOs with 6 different waveforms and BPM-sync, a Step Sequencer and 16 additional LFOs with sine waveform.
Do you want to use the LFO to wobble your sound? Simply drag&drop it onto a knob and you've got it. Modulation can be as simple or complex as you want. Use drag&drop or the modulation-matrix to connect dozens of sources to all important sound parameters.
You can modulate almost any parameter with audio-rate speed.

Envelopes

The Amp-Envelope in the global section is used to control Volume characteristics like volume Attack, Decay, Sustain and Release.
Nemesis also offers two auxilary envelopes called ENV1 & ENV2. They can be used to control various parameters by assigning them through the modulation matrix.
Do you want to use the Envelope to morph your sound? Simply drag&drop it onto a knob and you've got it. Modulation can be as simple or complex as you want. Use drag&drop or the modulation-matrix to connect dozens of sources to all important sound parameters. You can modulate almost any parameter with audio-rate speed.

Sounds and synthesis


Nemesis comes with a huge and inspiring sound library, built by professional sound designers.
Nemesis features pristine tonal quality and offers sonic possibilities far beyond the scope of conventional digital synthesizers. A uniquely silky signature sound is generated by its engine. The synthesizer is capable of providing warm, smooth, and creamy tones as well as the classic metallic and cold sounds FM synthesis is known for. Nemesis has a huge sonic range, since it is capable to do a massive number of digital synthesis-methods:

  • Neo-FM (an innovative approach exclusive to Nemesis)
  • "FM-synthesis" (known from the phase-modulation in the Yamaha DX series)
  • True FM-synthesis (known from analog synths)
  • PM (true alias-free phase-modulation)
  • Waveshaping (known from the Korg 01/W)
  • Additive synthesis (known from the Kawai K1)
  • Phase-Distortion (known from the Casio CZ)
  • Formant-Synthesis (known from the Yamaha FS1R)
  • Crossblending Waveforms (known from the Waldorf Microwave)
  • PWM (unlike conventional synths Nemesis can do PWM with any Waveform, not just Squarewaves)
  • Ring-Modulation
  • Resynthesis of Waveforms
  • Resonance (exclusive to Nemesis)

The combination of the different synthesis-methods and the possibility to import your own content open up undreamt-of possibilities for you.
Several play-modes such as polyphonic, mono & legato, true 4x stereo unison complement the wide range of synthesis-modes and waveforms. Your possibilities are litterally unlimited.


Did you know that the DX7 is no FM-synth?
From a technical perspective, "FM synthesizers" like the DX7 are not really FM synths. Instead, they use a sometimes similar sounding technique called phase-modulation (PM) to generate sounds. The DX7 was advertised as a "FM synthesizer" for marketing reasons. Later many other companies adopted this popular but technically incorrect term in their marketing.

Neo-FM: The future of FM Synthesis


Neo-FM is not just a marketing buzzword.
Nemesis heralds the next evolutionary step in FM synthesis
: NeoFM synthesis.

Digital and analog - the best of both worlds combined:
Digital synthesizers and especially FM/PM synths can suffer from aliasing. This means in practise, that patches that are played with a high pitch can sound unpleasant and metallic, as they contain frequencies that shouldn't be there.
A couple of  analog synthesizers can produce true FM. They do not suffer from aliasing, but they do suffer from slightly detuned oscillators (drift). This leads to very disharmonic FM sidebands. Most of these sounds are musically unusable.
The innovative NeoFM approach combines the advantages of both worlds without taking on their respective weaknesses. It's now easier than ever to achieve great-sounding results.

Dramatically expanded sonic range:
Traditional "FM synths" like the DX7 have a limited sonic range. They can only produce good results with sine-waves or very dull waveforms that don't contain high frequencies. The damped waveforms help to camouflage the aliasing when a higher amount of FM modulation is used.
Nemesis does not have this limitation and is able to handle all waveforms properly. Finally, you can use any waveform as a source or destination for FM or PM modulation without a headache! It even works with short samples or extremely long and complex waveforms. It is also possible to import your own waveforms in .wav format. You can use the additive spectrum editor to create new waveforms or modify existing ones.
Nemesis can handle a greater FM-modulation-depth and wider frequency-range than competing synthesizers, as it never sounds awkward due to aliasing. The sum of all this dramatically expands the sonic range and allows sounds impossible with other synthesizers.

True high-end sound quality:
To reduce aliasing, some more advanced FM synthesizers from the competition use 2x or 4x oversampling. This increases CPU requirements but still doesn't make them completely alias-free. Nemesis, on the other hand, offers perfect sound quality, using 70000x oversampling!

Low CPU requirements:
Experts may doubt that such high quality is even possible on today's computers, as they would be far too slow for it. However, with Nemesis we are able to prove otherwise. We use native support for multi-core CPUs, preprocessing, FFT transforms and clever DSP tricks to achieve perfect sound quality with low CPU usage.

Sounds und Synthese


Nemesis wird mit einer riesigen und inspirierenden Sound Library ausgeliefert. Alle Klänge wurden von professionellen Designern erstellt.
Die Engine von Nemesis erzeugt einen charakterstarken, seidigen Signaturklang und kombiniert kristallklare Soundqualität mit Möglichkeiten, die weit über die konventionelle digitale Synthese hinausgehen.  Der Synthesizer ist in der Lage, sowohl warme und cremige Klänge, als auch die klassischen metallischen und kalten Sounds der FM Synthese zu erzeugen. Nemesis verfügt über ein gigantisches Klangspektrum, denn er beherrscht eine große Anzahl an digitalen Synthesemethoden:

  • Neo-FM (ein innovativer Ansatz exklusiv für Nemesis)
  • "FM-Synthese" (bekannt durch die Phasenmodulation in der Yamaha DX-Serie)
  • Echte FM-Synthese (bekannt von analogen Synthesizern)
  • PM (echte aliasfreie Phasenmodulation)
  • Waveshaping (bekannt aus dem Korg 01/W)
  • Additive Synthese (bekannt aus dem Kawai K1)
  • Phase-Distortion (bekannt aus dem Casio CZ)
  • Formant-Synthese (bekannt vom Yamaha FS1R)
  • Kreuzblendne von Wellenformen (bekannt aus dem Waldorf Microwave)
  • PWM (im Gegensatz zu konventionellen Synthesizern kann Nemesis PWM mit jeder beliebigen Wellenform durchführen, nicht nur mit Rechteckwellen)
  • Ring-Modulation
  • Resynthese von Wellenformen
  • Resonanz (exklusiv für Nemesis)

Die Kombination der verschiedenen Synthese-Methoden und die Möglichkeit, eigene Inhalte zu importieren, eröffnen Ihnen ungeahnte Möglichkeiten.
Verschiedene Spielmodi wie Polyphonie, Mono & Legato, True 4x Stereo Unison ergänzen die große Auswahl an Synthesemethoden und Wellenformen. Ihre Möglichkeiten sind buchstäblich unbegrenzt.


Wussten Sie, dass der DX7 kein FM-Synthesizer ist?
Technisch gesehen sind "FM-Synthesizer" wie der DX7 nicht wirklich FM-Synthesizer. Stattdessen verwenden sie eine manchmal ähnlich klingende Technik namens Phasenmodulation (PM), um Klänge zu erzeugen. Der DX7 wurde aus Marketinggründen aber als "FM-Synthesizer" beworben. Später übernahmen viele andere Hersteller diesen populären, aber technisch falschen Begriff in ihrem Marketing.

Neo-FM: Die Zukunft der FM Synthese


Mit Nemesis wird die nächste evolutionäre Stufe im Bereich der FM Synthese eingeläutet: NeoFM synthesis.

Digital und analog - das Beste aus beiden Welten vereint:
Digitale Synthesizer und insbesondere FM/PM-Synthesizer können unter Aliasing leiden. Das bedeutet in der Praxis, dass Patches, die mit einer hohen Tonhöhe gespielt werden, unangenehm und metallisch klingen können, da sie Frequenzen enthalten, die dort nicht sein sollten.
Einige analoge Synthesizer können echtes FM erzeugen. Sie leiden nicht unter Aliasing, aber sie leiden unter leicht verstimmten Oszillatoren (Drift). Dies führt zu sehr disharmonischen FM-Seitenbändern. Die meisten dieser Klänge sind musikalisch unbrauchbar.
Der innovative NeoFM-Ansatz kombiniert die Vorteile beider Welten, ohne deren jeweilige Schwächen zu übernehmen. Es ist jetzt einfacher denn je, großartig klingende Ergebnisse zu erzielen.

Drastisch erweiterte klangliche Bandbreite:
Herkömmliche "FM-Synths" können nur mit Sinuswellen oder sehr dumpfen Wellenformen, die keine hohen Frequenzen enthalten, gute Ergebnisse erzielen. Die gedämpften Wellenformen helfen, das Aliasing zu kaschieren, wenn ein höherer Anteil an FM-Modulation verwendet wird.
Nemesis hat diese Einschränkung nicht und ist in der Lage, alle Wellenformen richtig zu verarbeiten. Endlich können Sie jede beliebige Wellenform als Quelle oder Ziel für die FM-Modulation verwenden, ohne Kopfschmerzen zu bekommen! Es funktioniert sogar mit kurzen Samples oder extrem langen und komplexen Wellenformen. Es ist möglich, Ihre eigenen Wellenformen im .wav-Format zu importieren. Sie können den additiven Spektrum-Editor verwenden, um neue Wellenformen zu erstellen oder bestehende zu verändern.
Nemesis kann mit einer größeren FM-Modulationstiefe und einem breiteren Frequenzbereich umgehen als konkurrierende Synthesizer, da er nie durch Aliasing unangenehm klingt. Die Summe von alldem erweitert die klangliche Bandbreite drastisch und ermöglicht Klänge, die nicht mit anderen Synthesizern erzeugt werden können .

Echte High-End-Sound-Qualität:
Um Aliasing zu reduzieren, verwenden einige fortschrittlichere FM-Synthesizer von der Konkurrenz 2x oder 4x Oversampling. Das erhöht den CPU-Bedarf aber macht sie noch immer nicht vollkommen alias-frei. Nemesis hingegen bietet perfekte Klangqualität, da hier 70.000x Oversampling verwendet wird!

Geringer CPU-Bedarf:
Experten mögen bezweifeln, dass eine so hohe Qualität auf den heutigen Computern überhaupt möglich ist, da diese dafür viel zu langsam wären. Mit Nemesis sind wir jedoch in der Lage, das Gegenteil zu beweisen. Wir verwenden native Unterstützung für Multi-Core-CPUs, FFT-Transformationen und clevere DSP-Tricks, um perfekte Klangqualität bei geringer CPU-Belastung zu erreichen.
 

Modulation


By using drag & drop or the matrix, Nemesis allows you to connect dozens of modulation sources to sound parameters. Modulate almost any parameter up into the audio-rate speed, from internal modulation sources like the LFOs, to a wide variety of MIDI messages. We've also included midi-learn, so assigning CC's is as simple as a right-click.

System requirements


PC: Windows 11 / Windows 10 / Windows 8 /  Windows 7 / Vista / XP / Linux with WINE
Plugin formats: 32-bit VSTi, 64-bit VSTi, VST3, Standalone

Mac: macOS 10.12 and later including macOS Sonoma
Intel CPU or M2 or M1 (native support for enhanced performace)
Plugin formats: VSTi, Audio Unit (AUi), VST3, Standalone, Universal Binary

User-friendly copy-protection: No dongle, no cloud, no data-collection, no need to be online, does not install an additional 'license-manager' or driver

Effects


There are 48 high-quality effects available that can be combined with each other. Flexible routing options complete the extensive effects section.
The innovative ducking-module makes your mix more transparent and rich by dynamically fading out reverb-tails.
Nemesis offers smart-micro-tuning, which automatically analyzes the notes played to improve the sound of chords. It 'just works' - you do not need to take care of anything.
An optional psychoacoustic module gives your tracks more kick and volume.
Nemesis has a gate section for creating rhythmic patterns. Extended functions such as contour, fading, swing and shuffle allow you to fine-tune the sounds perfectly.

Arpeggiator


The arpeggiator in Nemesis is inspiring, powerful and easy to use. Just select your notes inside the note sequencer as you normally would and choose the play direction. The arpeggiator also supports optional advanced features such as auto-chords, polyphonic playback, glides, swing or matrix integration.

Modulation


Mit Hilfe von Drag&Drop oder der Matrix können Sie Dutzende von Modulationsquellen mit allen wichtigen Soundparametern verbinden. Modulieren Sie fast jeden Parameter und greifen Sie dabei auf interne Modulationsquellen wie die LFOs oder auf eine große Zahl an Midi-Nachrichten zurück. Mit Midi-Learn ist die Zuordnung von CCs ein Kinderspiel - Rechtsklick und Regler drehen, fertig!

Systemanforderungen


PC: Windows 11 / Windows 10 / Windows 8 / Windows 7 / Vista / XP / Linux mit WINE
Plugin Formate: 32-bit VSTi, 64-bit VSTi, VST3, Standalone

Mac: macOS 10.12 oder höher inklusive macOS Sonoma
Intel CPU oder M2 oder M1 (nativ unterstützt für bessere Performance)
Plugin Formate: VSTi, Audio Unit (AUi), VST3, Standalone, Universal Binary

Benutzerfreundlicher Kopierschutz: Kein Dongle, keine Cloud, keine Datensammelei, kein Onlinezwang, es wird kein zusätzlicher 'Lizenzmanager' oder Treiber installiert

Effekte


Es sind 48 qualitativ hochwertige Effekte verfügbar, die miteinander kombiniert werden können. Flexible Routingmöglichkeiten komplettieren die umfangreiche Effektsektion.
Der innovative Ducking-Mode macht Ihren Mix transparenter und satter, indem er Hallfahnen dynamisch ausblendet.
Nemesis beherrscht Smart-Micro-Tuning, das automatisch die gespielten Noten analysiert und den Klang von Akkorden verbessert.
Ein optionales Psychoakustik-Modul verleiht Ihrem Sound mehr Kick und Volumen.
Nemesis verfügt über eine Gate-Sektion, um rhythmische Patterns zu erzeugen. Erweiterte Funktionen wie Contour, Fading, Swing und Shuffle ermöglichen Ihnen ein perfektes Feintuning.

Arpeggiator


Die Arbeit mit dem Arpeggiator ist ein Kinderspiel: Sie müssen lediglich die Noten im Notensequenzer ablegen und die Spielrichtung auswählen. Sie können auch auf erweiterte Features wie Autochords, Polyphonie, Glides, Swing und Matrix Integration zugreifen.

 
  • Amazona magazine:"Nemesis plays in the highest league"
  • Keys magazine:"Tone2 succeeds in reinventing the FM synthesis"
  • Producer spot:"This synth is a league of its own. It may soon be your new favourite synth"
  • Tone2 NemesisThe next step in FM Synthesis
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