Filter types:

• Off – The filter is disabled.
• LP 30dB – A lowpass filter with a 30dB/Octave slope.
• LP 12dB – A lowpass filter with a 12dB/Octave slope.
• LP Analog – A analogue modeled lowpass filter with self oscillation.
• LP Moog – A lowpass filter with a classic ‘Moog Diode Ladder Filter’ type response.
• LP Fat - A lowpass filter with very broad resonance.
• LP Oct – A lowpass filter with resonance tuned in octave distance from the cutoff point.
• LP Elliptic - A ‘brickwall like’ lowpass filter with very steep slope.
• HP 30dB – A highpass filter with a 30dB/Octave slope.
• HP 12dB – A highpass filter with a 12dB/Octave slope.
• HP Elliptic - A ‘brickwall like’ highpass filter with very steep slope.
• HP Analog – A analogue modeled highpass filter with self oscillation.
• BP 15dB – A bandpass filter with a 15dB/Octave slope.
• BP 6dB – A bandpass filter with a 6dB/Octave slope.
• BP Analog – A analogue modeled bandpass filter with self oscillation.
• BR – A band rejection or notch filter with an adjustable center frequency and slope.
• BR Analog – A analogue modeled notch filter with self oscillation.
• EQ Low Shelf – A lowpass shelving filter.
• EQ Hi Shelf – A highpass shelving filter.
• EQ loudness – A loudness filter.
• EQ Peak 1 – An equalizing filter with a broad slope.
• EQ Peak 2 - An equalizing filter with a tight slope.
• EQ Block – cuts all frequencies below and above the selected range.
• VOC IEAOU 1 – A series of vocal formant filters emitted by vowel use in human speech.
• VOC IEAOU 2 – A series of vocal formant filters emitted by vowel use in human speech.
• VOC A - A vocal formant filter.
• VOC - A vocal formant filter.
• VOC - A vocal formant filter.
• VOC I - A vocal formant filter.
• VOC O - A vocal formant filter.
• W-Shape - Double parallel-switched bandpass filters.
• M-Shape - Serial lowpass and highpass filters, with 2 resonant maxima at the edges of the filter.
• Allpass – Does nothing, just changes the phase of the signal.
• Phaser - A phasing filter that affects the phase offset of the incoming audio stream.
• Comb 2x – A comb filter, with multiple equally spaced resonance peaks.
• Comb 3x – A different comb filter, similar to Comb 1.
• Comb 5x – A different comb filter, similar to Comb 1.
• Resonator – An oscillator which is excited from the input signal.
• Diffuser 8x– A 8 step diffuser filter with feedback. Sounds like small room reverb.
• Diffuser 32x– A 32 step diffuser filter with feedback. Sounds like large room reverb.
• Delay – Delays the input signal by a given amount.
• Resample – Resamples the signal to a lower sample rate.
• AM - Amplitude modulation.
• Formant 2 - Double formant (vocal) filter with 2 resonant maxima.
• FM Sine – Frequency modulation with a sine oscillator.
• FM Tri – Frequency modulation with a triangle oscillator.
• FM Saw – Frequency modulation with a saw oscillator.
• FM Square – Frequency modulation with a square oscillator.

Distortion types:

• Off – When this mode is selected, the distortion module will be bypassed.
• Volume – Drive controls the volume of the signal.
• Tube Amp – A ‘soft knee’ saturated distortion.
• Transistor – An asymmetric 'soft knee' distortion.
• Presence – A ‘soft knee’ saturated distortion with falloff at higher levels.
• Hard Clip – A ‘hard knee’ clipping distortion.
• Bitcrush – This distortion type reduces the bit rate of the audio to ‘lo-fi’.
• Waveshape – This distortion type adds additional harmonics by using round nonlinear amplification of the audio signal.
• Pow2 – This distortion type adds additional harmonics by using edged nonlinear amplification of the audio signal. It is similar to exciters.

Technical requirements:

PC version: VST compatible host software (free available), Windows 95/98/ME/2000/XP/Vista, 4 Mb free hard disc space, processor with at least 100 MHz

MAC version: Mac OS X 10.3 or higher, Intel MAC or Power PC, 4 Mb free hard disc space, processor with at least 100 MHz